MOONContent & Social Media
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Daniel Sanders, Road to Dakar 2025, shot by Moon add assets/hero.jpg

Content that makes people feel part of it.

Thanks for visiting my portfolio! Here is a bit about me.

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My video letter
The work

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A short set, shot and cut end to end, across motorsport, music, sport and brand work.

The fit

How this maps to the role.

What Casey College actually needs from a Social Media Content Coordinator.

01

Solo Shoot & Edit

One person, every format. Camera, drone or phone through to a finished cut, ready for Facebook, Instagram and TikTok the same day.

02

Good With People, Not Just Brands

Comfortable putting first-timers at ease. Real practice getting people who aren't used to a camera, students, staff, strangers at an event, to relax and show up as themselves on screen.

03

Fast & Trend-Aware

Quick where it counts. As comfortable in CapCut and Canva as in DaVinci Resolve, so a same-day trend never misses its window.

04

Ready to Start

Checks already in hand. Current VIC driver's licence, National Police Check and Working with Children Check, flexible for one to two casual days a week.

VIC driver's licence, current National Police Check & WWCC, current Flexible, 1–2 casual days a week
The approach

How I work, end to end.

Give me a brief and it comes back shot, cut, captioned and scheduled. This is the loop behind the work, and the kit I run it in.

01Pre-productionBrief to shotlist - I plan the angles, the mounts and the talent around the calendar and what is trending.
02ProductionMulti-cam, drone and mount, on location. Every ratio in one shoot.
03PostResolve and Premiere. Grade once, cut per platform, EN and FR subtitles.
04DeliveryExported to spec and handed off on schedule, ready for the team to publish.
05CollaborationWork alongside producers, writers and designers, not solo, from brief to final cut.
06IterateTake feedback and reshoot or recut where the story needs it.
Built native for every feed
Vertical, square and wide, cut from one shoot - EN and FR.
About
Moon

Content is my craft. I run my own studio, Mounir Productions, shooting and editing for brands, artists and athletes across Melbourne, and I watch what happens after it goes live. I love working in-house with a team too: fast, outcome-focused, one story told across every format it needs.

Why this role? The chance to make content about real people, on location, without ever waiting on a big team. Casual, one to two days a week, is exactly the shape I'm building around my other client work.

Comfortable on location, fast. I regularly film events and communities I've only just met, and I've learned how to put someone who isn't used to a camera at ease within minutes.

Ready from day one. Current Victorian driver's licence, National Police Check and Working with Children Check, all in hand.

Tools
DaVinci Resolve Studio and Premiere Pro; equally quick in CapCut and Canva for fast turnaround pieces
Checks
Current VIC driver's licence, National Police Check and Working with Children Check
Drone
DJI Mini 3 Pro & DJI Avata 2 (FPV), CASA-accredited (valid to 2029)
Based
Melbourne, Australia · full working rights, no sponsorship needed
Talk about the role
Private application for Casey College · Please keep it private